Fine Art Posters

Neon Screen Printing - Screenprint. Printed on half-matte coated paper 250gsm

70 x 100cm (27.5 x 39.37in)

First printed in 1983 (this version printed later)

The first official exhibition of Keith Haring’s work was held in 1982 at the Tony Shafrazi Gallery in New York, and was hugely successful. Pierre Keller met Haring a few months later and asked him to produce a Festival poster featuring a dancing figure. Haring came up with three designs, all of which were accepted. Keller and Nobs had the brainwave of inviting the New York artist to Montreux. As always, Haring painted constantly, producing murals on large blank panels on stage with the musicians and in the streets of Montreux.

Neon Screen Printing - Screenprint. Printed on half-matte coated paper 250gsm

70 x 100cm (27.5 x 39.37in)

 First printed in 1983 (this version printed later)

The first official exhibition of Keith Haring’s work was held in 1982 at the Tony Shafrazi Gallery in New York, and was hugely successful. Pierre Keller met Haring a few months later and asked him to produce a Festival poster featuring a dancing figure. Haring came up with three designs, all of which were accepted. Keller and Nobs had the brainwave of inviting the New York artist to Montreux. As always, Haring painted constantly, producing murals on large blank panels on stage with the musicians and in the streets of Montreux.

Neon Screen Printing - Screenprint. Printed on half-matte coated paper 250gsm

70 x 100cm (27.5 x 39.37in)

 First printed in 1983 (this version printed later) 

The first official exhibition of Keith Haring’s work was held in 1982 at the Tony Shafrazi Gallery in New York, and was hugely successful. Pierre Keller met Haring a few months later and asked him to produce a Festival poster featuring a dancing figure. Haring came up with three designs, all of which were accepted. Keller and Nobs had the brainwave of inviting the New York artist to Montreux. As always, Haring painted constantly, producing murals on large blank panels on stage with the musicians and in the streets of Montreux.

Screenprint. Printed on half-matte coated paper 250gsm

70 x 100cm (27.5 x 39.37in)

Signed in the plate by Keith Haring and Andy Warhol

Celebrating twenty years of the Festival and Claude Nobs’s fiftieth birthday called for a very special poster indeed. Pierre Keller came up with the goods by bringing together Keith Haring and Andy Warhol for the first collaboration between the two New York icons. The two artists decided to paint the poster in red and yellow. “It’s very Swiss, and will remind people of Maggi seasoning,” Keller commented.

Screenprint. Printed on 250gsm silk paper

59.4 x 84.1cm (23.38 x 33.11in)

2025

Poster from Damien Hirst's exhibition, 'The Civilisation Paintings' at Phillips

Printed in the UK

Never been opened and will be posted in original HENI poster tube

A bold visual from one of Britain’s most provocative artists. This original promotional poster for 'Civilisation' captures Hirst’s signature tension between beauty and decay.

Matte Paper, Offset Lithograph 

120 x 160 cm (47 x 63in)

2025

Never been opened and will be posted in original packaging

Hockney’s Paris show marked a moment of reflection and reinvention, showcasing his continued exploration of colour, space, and digital media.

The poster, with its bold composition and museum provenance, captures the spirit of that exhibition, an invitation to see the world through Hockney’s eyes.

Matte Paper, Offset Lithograph 

120 x 160 cm (47 x 63in)

2025

Never been opened and will be posted in original packaging

Hockney’s Paris show marked a moment of reflection and reinvention, showcasing his continued exploration of colour, space, and digital media.

The poster, with its bold composition and museum provenance, captures the spirit of that exhibition, an invitation to see the world through Hockney’s eyes.

Matte Paper, Offset Lithograph 

120 x 160 cm (47 x 63in)

2025

Never been opened and will be posted in original packaging

Hockney’s Paris show marked a moment of reflection and reinvention, showcasing his continued exploration of colour, space, and digital media.

The poster, with its bold composition and museum provenance, captures the spirit of that exhibition, an invitation to see the world through Hockney’s eyes.

 Offset lithograph in colours, on wove paper

Signed (in the plate)

101cm x 63cm (40 x 63in)

Hockney’s Munich Olympic Games Poster (1972) was created as part of a series of artist-designed posters commissioned to celebrate the 1972 Summer Olympics in Munich. 

Hockney, one of Britain’s most celebrated artists, brought his distinctive style to this work, blending figurative elements with abstract forms to capture movement and vitality in harmony with the Olympic spirit.

Offset lithographic print in colours on satin paper

59 x 43cm (17 x 23in) each (pack of two posters)

2023

Authorised Posters from Banksy's exhibition at the Gallery Of Modern Art, in Glasgow. These original promotional posters for 'Cut & Run' captures the raw energy of the artist’s first official solo exhibition.

Featuring stencilled works spanning over two decades, the show peeled back the curtain on process, politics and provocation.

 Offset lithographic poster printed in colours, on glossy wove 250gsm silk finish paper

50 x 70cm (20 x 27.5in)

2014

Signed and inscribed in silver felt-tip pen

Edition of 500, printed and published by Emin International, London

I Promise To Love You transforms one of Emin’s most iconic neon works into a beautifully produced poster. 

The poster captures Emin’s unmistakable blend of intimacy, vulnerability, and bold emotional clarity.

 Offset lithographic poster printed in colours, on glossy wove 250gsm silk finish paper

50 x 70cm (20 x 27.5in)

2016

Signed and inscribed in silver felt-tip pen

Edition of 500, printed and published by Emin International, London

I Promise To Love You transforms one of Emin’s most iconic neon works into a beautifully produced poster. 

The poster captures Emin’s unmistakable blend of intimacy, vulnerability, and bold emotional clarity.

 Offset lithographic poster printed in colours, on glossy wove 250gsm silk finish paper

50 x 70cm (20 x 27.5in)

2016

Signed and inscribed in silver felt-tip pen

Edition of 500, printed and published by Emin International, London

The Kiss Was Beautiful is a quintessential Emin poster, capturing the tenderness and urgency of her figurative line. 

The work distils Emin’s emotional candour into a single, intimate gesture. A striking example of her ability to turn vulnerability into visual poetry.

 Offset lithographic poster printed in colours, on glossy wove 250gsm silk finish paper

50 x 70cm (20 x 27.5in)

2015

Signed and inscribed in silver felt-tip pen

Edition of 500, printed and published by Emin International, London

My Favourite Little Bird is a beautifully intimate example of Emin’s figurative language. 

The poster captures Emin’s ability to express tenderness, vulnerability, and emotional truth with the lightest of gestures. A quietly powerful work that resonates long after you’ve stepped away.

 Offset lithographic poster printed in colours, on glossy wove 250gsm silk finish paper

50 x 70cm (20 x 27.5in)

2015

Signed and inscribed in silver felt-tip pen

Edition of 500, printed and published by Emin International, London

My Heart Is With You Always is a beautifully direct example of Emin’s emotional candour. 

The work transforms a simple handwritten declaration into something tender, luminous, and deeply personal. A striking, intimate piece from one of Britain’s most influential contemporary artists.

 Offset lithographic poster printed in colours, on glossy wove 250gsm silk finish paper

50 x 70cm (20 x 27.5in)

2016

Signed and inscribed in silver felt-tip pen

Edition of 500, printed and published by Emin International, London

But Yea (2016) is a striking example of Emin’s expressive, confessional line. 

The work captures Emin’s ability to distil emotion into the simplest of gestures. The figure, tender, exposed, and unmistakably Emin, reflects the artist’s ongoing exploration of intimacy, vulnerability, and the complexities of selfhood.

 Offset lithographic poster printed in colours, on glossy wove 250gsm silk finish paper

50 x 70cm (20 x 27.5in)

2015

Signed and inscribed in silver felt-tip pen

Edition of 500, printed and published by Emin International, London

Love Is What You Want (2015) transforms Emin’s iconic neon sculpture into a vibrant offset lithographic poster. 

The work captures Emin’s unmistakable blend of emotional candour and visual immediacy, offering a bold, luminous statement from one of Britain’s most influential contemporary artists.